accents

Do Students Hold Their Professors to a Certain Standard?

Madison Atiabi, Araceli Valladares, Sean Freilich, Antoinette Alfaro, Brandon Elkington Knowledge production in the global context has enabled an unprecedented ability to share information in the modern age. Because of this, International Universities like UCLA serve as a hotbed for intellectual progress over a backdrop of movements for inclusivity and representation in educational institutions. While […]

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Language Ideologies in Animated Films: Why does that character sound like that?

Talla Khattat, Jacob Gutierrez, Edna Tovar, Grace Yang, Al Jackson, Espie Maldonado Why do all military characters in animation films have Southern accents? Throughout this blog, we aim to understand the world of languages in animated films and take you along with us. Audience members digest the creative choices that are made on screen and

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Speak of the Devil: How Popular Film Antagonists Use Language

Sarah Belew, Jacques Gueye, Kaley Phan, Boyi Zheng In this study, we analyze the linguistic behavior of antagonists in psychological thriller movies in order to understand/index the features in their language that make them “creepy”. We chose 4 different films to view: Misery (1990), Silence of the Lamb (1991), The Lovely Bones (2009), and Gone

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Long-Term Implications of Accent Representation in Children’s Media

Roni Grushkevich, Claire Lim, Kendall Vanderwouw, Daniel Zhou Who is the most memorable villain you remember from your childhood era? We hypothesize that most individuals will remember a villain portrayed with a heavy accent. This is due to the phenomenon of othering and the idea that children will have a hard time connecting with a

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The Language of Good and Evil in the Disney Universe

Wendy Barenque, Maria Martignano Cassol, Kelli Sakaguchi, Sophia Siqueiros, Ellis Song Every year Disney and Pixar release blockbuster hits watched by millions of children. Disney and Pixar characters have a huge impact on how children learn to view people in real life through the use of regional and foreign accents categorizing intrinsic “goodness” or “badness”

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