Is Disney’s Beauty and the Beast Guilty of Promoting Women’s Language?

Teresa D Dueñas Mayorga

Walt Disney movies are notorious for highlighting the differences between genders and promoting certain gender standards. Since these movies target children, they can have an impact on how children view themselves and others. This study will focus on investigating whether the classic Disney movie Beauty and the Beast, includes a culture of gender differences by using forms of so-called women’s language. To do so, mix-gender conversations from the movie will be analyzed on whether they contain polite forms, hedges, and interruptions, the rate in which these are used and the amount of time spent talking in a conversation by each gender will be compared. It was concluded that some aspects of women’s language are present in Beauty and the Beast which signify that gender differences are being promoted to children. This suggest that film makers should be more attentive on how gender if depicted to children as it can instate stereotypes on how women and men should communicate with each other.

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1 thought on “Is Disney’s Beauty and the Beast Guilty of Promoting Women’s Language?”

  1. The problem here is that the context is not taken into account.

    Gaston is an antagonist, his behaviour is intentionally rude and dismissive, and the way he treats Belle is depicted as such.

    Belle’s remarks might seem polite on the surface, but they are delivered sarcastically, and that sarcasm demonstrates that Belle is in fact intelligent and sees Gaston’s egotism and narcissism for the vices that they are.

    Similarly the Beast begins the story as an antagonistic character who occasionally behaves more respecfully (exemplified by his ‘polite’ speech). In the course of the story it is made clear that his antagonistic behaviour is a result of his situation, and as he opens up and displays more sensitivity he behaves less antagonistically, interrupts less, and speaks more politely to Belle.

    Hence the interruptions are associated with antagonism rather than maleness, and politeness with ‘goodness’ rather than femaleness.

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